I created reload assets for a variety of guns on the free-to-play game Delta Force: Hawk Ops.Delta Force.

I worked very closely with the Midnight Society team in 2023 and 2024, creating assets and implementing them through Unreal Engine 5's Metasounds environment. I collaborated with the audio director and visual artists to create a vast variety of auditory experiences. I also worked independently to create a multitude of blueprints, such as a directional particle audio system and explosion debris system.

One of my major undertakings while I was at Midnight Society was creating the metasound source template for all gunfires, and migrating all previously used soundcues to my new setup. This template introduced a custom crossfading system for assets at different distances, and allowed me to make further optimizations at the blueprint level.

Check out DEADROP here!

I have designed dozens of sounds for Aftertouch Audio's Master Gun Library. These gunfire designs (Labelled 'Modern' in the folders) are meant to land somewhere between the style found in Modern Warfare 2019 and Modern Warfare II (2022)

My designs mimic game engine gunfire playback through an audio-midi system prototyped in Max, and later recreated with custom JSFX in Reaper. This system randomly selects oneshots (shot, mech and tail) to be assembled each time the gun is fired from the recordings, complete with on the fly calculations for volume, pitch, and timing adjustments, and even a concurrency system - It's maximally faithful to what a player hears ingame.

A video detailing this process will be published soon.

I worked closely under Travis Naas developing audio experiences for various projects.

Here's the Naas Industries website.